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CDCovers Sweets Emit OneFM Station Live - Pure Rock Search '90 vol.1 Glamnation vol.3 Glamnation vol.4 Glam That Stole Chritmas Guitar's Practicing Musicians Guitar's Practicing Musicians vol.2 Guitar Zeus Hard Rock CAFE Serve 2 Hey ! - That's What I Call Sludge ! - Hollywood Hairspray vol.1 Hollywood Hairspray vol.2 Hollywood Hairspray vol.3Hollywood Hairspray vol.4 Hollywood Hairspray vol.5 Hollywood Hairspray vol.6 Hollywood Hairspray vol.7 Hollywood Rocks ! Jazz For Japan ～ 東日本大震災被災者支援CD ～ King Of Sunset StripL.A. Blues Authority Lippy Lip Bachrach Metal Mania Stripped The Pink And Black A Goth Glam Collection Rock 'N' Roll Rebels The Sunset Strip volume 1 Sounds of BLUE GIANT This Is 80's Hair Metal Ukulele Beach We Wish You A Hairy Christmas With Brasil DVDLOUD PARK 14 Day 1 ( WOWOW ) LOUD PARK 14 Day 2 ( WOWOW ) Monsters of Rock Cruise 2.25 28.2012 Moscow Music Peace Festival SCREAM 12 Video Collection vol.1 VAMPARK FEST Day 2 ( MTV ) CD Covers Sweets 2005年5月25日 1. My Boo / Lukie D & Yeshemabeth / 2. I ll Be Missing You / Chaka Demus & PLIERS / 3. All Falls Down / Cobra & Fiona / 4. My Place / Brian & Tony Gold / 5. F**K It ( I Don t Want You Back ) [ dirty mix ] / GHOST / 6. I m Your Angel / Alex & M lonie / 7. Another Day In Paradise / Da ville / 8. Life / Nadine Sutherland / 9. Isn t She Lovely / Wayne Wonder / 10. I Don t Wanna Know / Phoenix & Nadz / 11. Let Me Love You / Newton K / 12. Here I Go Again / Lenn Hammond / 13. No More Drama / ANGEL / 14. We Are The World / Elephant Man Emit One 2002年 1. Away Like A Shadow / SCANNER / 2. Cooneymus / DJ Olive / 3. Summer Mourn / QPE / 4. Faith Lift / Steve Alexander / 5. Breath Shapes / David Toop / 6. Eeyore / Oxford Parker / 7. Microphonics Excerpt 2002 / Philip Samartzis / 8. Intrigantes / David Shea / 9. Spike / I/O / 10. Amazing Graze / FROST / 11. Vendor / John Chantler / 12. Poles 7 / YANTO BROWNING MATTHEW FRASER / 13. Mission To Titan [ latrine edit ] / HUTT RIVER SPACE AGENCY / 14. Sci Fi Impossible / Tara Pattenden / 15. DDT / PONYLOAF FM Station Live - Pure Rock Search 90 vol.1 1. Unluckey Mr. Luckey / ASPHALT BALLET 2. Ain t Got The Time / DILLINGER 3. Hot on The Heels / CHASTITY 4. I m Partyin / FREINDZY 5. Reasons For Love / STILLETTO 6. Striptease / MOGG 7. Jimmy / LANCIA 8. Stranded / MADD HOUSE 9. Young Man Years / MOZART 10. No Time / COLD SHOT 11. Rock U Hard / FILTY McNasty & THE ROCK HARD BAND Glamnation vol.3 April 29 2008 1. Breaking New Ground / SISTER SIN / 2. Addicted / Debbie Ray / 3. Walk Away / KID EGO / 4. Out For Blood / PEEP SHOW / 5. Skin Deep / CJ Sleez / 6. Girl Power / HOLLYWOOD TEASZE / 7. Rollercoaster Ride / CAROLINE / 8. She Had Nothing On But The Radio / HOLLYWOOD VAMPIRES / 9. Go ! / REVOLUTION RIOT / 10. Don t Look At Me Like That / TEENAGE CASKET COMPANY / 11. Innocent Rosie / BLACKRAIN / 12. Show Me DYNAMITE YOUNG / 13. Gasoline / BASTARDZ / 14. Sleaze / VAMPS N GYPSIES / 15. No Time To Cry / TRASHCAN DARLINGS / 16. I Got Better Things To Do / the JOYSTIX / 17. From Behind / SILVER TRIGGER / 18. Holiday / AXIDENT AVENUE / 19. Rock N Rollercoaster / PSYCHO FOX Glamnation vol.4 2008 1. Cat s Got Your Tongue / ALLEYCAT SCRATCH / 2. Modern Girl / JAILHOUSE / 3. Hollywood / REVELON RED [ with Steve Summers / 4. 21 Fire / SLAM ALLEY / 5. Paint You A Picture / BLACKBOARD JUNGLE / 6. Take It Off / PRETTY WILD / 7. Kattbakk / REVOLUTION HAZY / 8. Nineteen Nintie Four / BILLION DOLLAR BABIES / 9. We Are The Revolution / JAILBAIT / 10. Wake Me Up / SISTER SCREAM / 11. Do It Cause I can / NEW GENERATION SUPERSTARS / 12. Swallow This / HOLLYWOOD GROUPIES / 13. Me / ROCK STARS KILL / 14. Psycho City / DAMNATION ALLEY / 15. Set The World On Fire / RAMDOM RIOT / 16. Stop Teasin Me / STICK IT OUT / 17. Brand New Day / JADE / 18. By My Side / CHAINS Glam That Stole Chritmas 2004年12月14日 ▼ Song List 1. Greatest Christmas Song Ever Written / AMERICAN HEARTBREAK / 2. Here Is Christmas / LILLIAN AXE / 3. Christmas ( Baby, Please Come Home ) / Kristy Majors / 4. Christmas Time / LOUD N NASTY / 5. I Wish Everyday Could Be Like Christmas / Chris Heaven & Michael Gapys / 6. Winter Wonderland / BIG BANG BABIES / 7. Hooray For Santa Claus / FIZZY BANGERS / 8. Dead By X-Mas / DECADENZA / 9. Rock N Roll Sleigh Ride / ROCKING SCOUNDRELS / 10. Blue Christmas / GRAYSON MANOR / 11. Nuttin For Christmas / AMERICAN SMASH Jason McMaster Glam Santa excecutive produced by Tom Mathers Guitar s Practicing Musicians 1990年1月29日 ▼ Song List 1. Giant Steps / Jennifer Batten 2. Gamera Is Missing / Buck Dharma 3. Born To Be Wild / Leslie West 4. Free / Vinnie Moore 5. Southern Steel / Steve Morse 6. El Becko / Paul Gilbert 7. Tree / Randy Coven 8. Western Vacation / WESTERN VACATION with RECKLESS FABLE 9. NV43345 / Billy Sheehan 10. Bodhisattva / Elliott Randall 11. The Shakes / Blues Saraceno 12. Sixgunz / Vivian Campbell 13. Rodo Lana/Play That Funky Music / Jeff Watson excecutive produced by John Stix Guitar s Practicing Musicians vol.2 1991年8月26日 ▼ Song List 1. White Noise / Marc Bonilla 2. Too Much Of A Good Thing ( Where s The Hook ) / Nuno Bettencourt 3. Galaxy 500 / Brand Gillis 4. Smell Yourself / Steve Lukather 5. L.A. A La Mode / Billy Sheehan 6. Eileen / ED King 7. Never Look Back [ demo ] / Blues Saraceno 8. Picture This / Steve Morse 9. The Howling / Mark Wood 10. Zeptune / Bruce Kulick 11. Funkcation / Steve Stevens 12. A Minor Disturbance / Randy Coven 13. Meet Me In The Morning / Jason Becker 14. At Fate s Fingers / FATES WARNING 15. McCarthy At The Levee / Reeves Gabrels 16. Cliffs Of Dover [ live ] / Eric Johnson excecutive produced by John Stix imageプラグインエラー 画像URLまたは画像ファイル名を指定してください。 Guitar Zeus 1995年8月5日 1. Dislocated / Paul Gilbert 2. This Time Around / Yngwie Malmsteen 3. Safe / Neal Schon 4. 4 Miles High / Steve Morse 5. So Long / 6. Nobody Knew / 7. Guitar Zeus, Pt. 1 / 8. Killing Time / 9. Where You Belong / 10. Days Are Nights / 11. Time to Set Alarms / 12. Under the Moon Sun / 13. Guitar Zeus, Pt. 2 / 14. Where You Belong / 15. Under the Moon Sun / produced by Carmine Appice、Phil Kaffel Hard Rock CAFE Serve 2 2007年11月6日 1. The Ghost Of Tom Joad / Bruce Springsteen 2. Heal Over / KT Tunstall 3. The Ballad Of Hollis / Bob Dylan 4. Big Ol Game / Joss Stone 5. Casino Nation / Jackson Browne 6. 107°/ CITIZEN COPE ( feat. Alice Smith ) 7. The Time They Are A-Changin / Brandi Carlile 8. Bring It On Home To Me / Marc Broussard 9. Arms And Hearts / HOLD STEADY 10. Dareh Meyod / O.A.R. 11. Lay Down / Natasha Bedingfield 12. Nothing Left To Lose / Mat Kearney 13. Stay The Night / GHOSTS 14. This Is My World / Andrew W.K. Hey ! - That s What I Call Sludge ! - 2004年 ▼ Song List 1. Rainbows Witches / METAL SLUDGE ALL-STARS 2. Reign In Pain / PAIN FOR PLEASURE 3. No Turning Back / LIT 4. The Bitch Song / BOWLING FOR SOUP 5. Inside Your Head / 40 Ft. Ringo 6. Dear Jani Lane / TUFF 7. 187 / DRILL 187 8. You Got To Get Through ... / the WILDHEARTS 9. Elephants Tangerienes / the THORNBIRDS 10. Someday I Will Kill You / SUPERSUCKERS 11. LSD / METAL SLUDGE ALL-STARS 12. Do You Wanna Get High ? / Jizzy Pearl 13. Diamonds Are A Boys Best Friend / the BRIGHTNESS 14. Chasing The Sattellites / LONDON CALLING 15. Beat The Bullet / KILLINGBIRD 16. Crash / FIREHOUSE 17. Making Up / METAL SLUDGE ALL-STARS 18. Good Boy Gone Bad / FUNNY MONEY 19. Misery / GLORY HOLE UK 20. Killing Time / Billy Morris 21. Your Mother Sucks In Hell / Wednesday 13 22. I Can t Resist You / Kevin Dubrow Little Woman 23. Heavy Stuff / METAL SLUDGE ALL-STARS 24. Death To All But Metal METAL SLUDGE ALL-STARS Hollywood Hairspray vol.1 2002年8月26日 ▼ Song List 1. Backseat Shake / PRETTY BOY FLOYD 2. Feel It / RAZAMANAZ 3. Burnin Down The Backroads / JET BOY 4. Heroes For Sale / NASTY IDOLS 5. Let s Go / BIG BANG BABIES 6. Kids In America / SHAMELESS 7. Broken Dreams / Kristy Majors 8. Cat On A Hot Tin Roof / Steevi Jaimz 9. Hellraiser / CHERRY ST. 10. Pint Of Blues / ROXX 11. Woman In A Fast Car / STAMPEDE QUEEN 12. American Hair / SCREAM CLAN 13. Mispent Youth / VAMP 14. Problem / SICK SIX CRUSH excecutive produced by Tom Mathers Hollywood Hairspray vol.2 2003年6月24日 ▼ Song List 1. No Place To Go / ENUFF Z NUFF 2. Groovy Love / PRETTY BOY FLOYD 3. White Rock Devil / JETBOY 4. B.O.M.B. / NITRO 5. Goodbye Rock-N-Roller / Kristy Majors 6. Hot / HEAVEN 7. Whiskey / CHERRY ST. 8. Story Of Love / Ken Tamplin 9. King Of The Night / FAHRENHEIT 10. Hip Motherfucker / FATAL SMILE 11. Enemy / GRAYSON MANOR 12. Step Into My Parlor / PARLOR TRIXX 13. Rock City Boys / MOTHER MERCY 14. Sweet Thing / SINN 15. Runaround / SUPERGROUPIES 16. Diggin For Gold / GRANDMA MOSES excecutive produced by Tom Mathers Hollywood Hairspray vol.3 2004年7月15日 ▼ Song List 1. In It For The Money / STAMPEDE QUEEN 2. Bad Luck / FUNNY MONEY 3. Straight Through the Heart / MAD MARGRITT 4. Comes Around Goes Around / CHERRY ST. 5. King Of The World / TIGERTAILZ 6. Realize / SHAMELESS 7. Babylon Rockets / GEMINI FIVE 8. White Line Offside / MACHINEGUN KELLY 9. Switchblade Serenade / SWITCHBLADE 10. Death Row / CRAZY LIXX 11. Welcome To The Show / EAT THE GUN 12. Big Rawk / NINETEEN 88 13. Riot In Everyone / CRASHDIET 14. Doesn t Do A Thing For Me / SCHROEDER 15. Million Times / TOMMY & THE LOVE TRIBE 16. Backslide / SLEAZY DREAM 17. Play It Hard / TRACY GANG PUSSY excecutive produced by Tom Mathers Hollywood Hairspray vol.4 July 26th 2005 ( Perris Records ) 1. Go, Go, Go / ZAN CLAN / 2. Dirty Needles / TIGERTAILZ / 3. Psychedelic Trippin / MIDNIGHT CIRCUS / 4. Love Kills / UNITED ENEMIES / 5. Black Heart / the NEW ROMANTICS / 6. Barflies / ON PAROLE / 7. Dead Generation / COSMIC BALLROOM / 8. A.S.A.D. / VAINS / 9. Peggy-Sue Is Dead / TRASHCAN DARLINGS / 10. Too Much / ENEMIES SWE / 11. Ain t Got Nothin On Me / TEENAGE CASKET COMPANY / 12. Days Gone By / SLOWPANIC SWEETHEARTS / 13. Rock Me On / BABY RUTH / 14. Rock Is All You Need / CATHOUSE produced by Tom Mathers Hollywood Hairspray vol.5 April 4th 2006 ( Perris Records ) 1. Instinct Animal [ Chris Laney ] / 2. Hearts on Fire [ HOLLYWOOD ] / 3. Suck It [ DIRTY RIG ] / 4. Pusher [ RADIO VIPERS / 5. Pills [ BASTARDZ ] / 6. Forever Damned [ DEADTHINGS ] / 7. Dancin on My Grave [ SWEET CHEATER ] / 8. Hold on to Your Dreams Tonight [ GUN SHY ] / 9. Midnight in Her Eyes [ ON PAROLE ] / 10. Merry Go Around [ JACK VIPER ] / 11. Devil Woman [ ALTER EGO X ] / 12. Go! She Said [ SILVER DIRT ] / 13. Love Story [ BACKSEAT SUPERSTARS ] / 14. Razorblade Kiss [ SNOW ] / 15. Rock N Roll Addiction [ NICE N SLEEZY ] / 16. Women, Whiskey, Weed Lies [ STRAIGHTFORK ] Hollywood Hairspray vol.6 August 8th 2006 ( Perris Records ) 1. Everybody s Alright [ JOKER FIVE SPEED ] / 2. One Woman [ WOLFCHILD ] / 3. The Devil and I [ STARRATS ] / 4. Rock Hard N Ready [ BRUTAL PANCHO ] / 5. Rich on Time [ the BILLION DOLLAR BABIES ] / 6. King of The World [ DEADLY TIDE ] / 7. Rock All Night [ ROCKARMA ] / 8. Sexy Teens [ FUORIUSO ] / 9. I Like It the Way U Hate Me [ the EROTICS ] / 10. Rock N Roll Tonight [ CHECKPOINT CHARLIE ] / 11. Heavy Gretal [ SHINE ] / 12. Greedy Train [ HOLLYWOOD VAMPIRES ] / 13. Heartbreaker [ FUEL FROM HELL ] / 14. Devil s Tool [ MOTHER MERCY ] / 15. Sleazy Things [ PUSSY SISTER ] / 16. Gonna Get It [ DEMON ANGELS ] Hollywood Hairspray vol.7 November 12nd 2007 ( Perris Records ) 1. Candy It Up [ ROLLER ] / 2. Ladies of The Eighties [ Dennis Develin ] / 3. Don t Say A Word [ MAD MARGRITT ] / 4. Psycho You [ STARRATS ] / 5. I m A Rebel [ FORD T ] / 6. Call Me, Call Me Baby [ S.E.X. DEPARTMENT ] / 7. Hollywood Blvd [ MIDNIGHT COWBOYS ] / 8. Intoxicated [ NEONDAZE ] / 9. Arrested [ SYZZY ROXX ] / 10. Beautiful Emily [ SNAKEBITE ] / 11. Walk Through The Fire of Love [ BURNING ANGEL ] / 12. Backstage Baby [ HIGH-SCHOOL MOTHERF**KERS ] / 13. B.O.N.E. [ LOVEBONE ] / 14. Faster, Harder, Deeper [ PUNISHERS ] Hollywood Rocks ! 2005年6月21日 Disc 1 - Early 80s ( 1980-1985 ) ▼ Song List 1. Killing Time / HOLLYWOOD ROSE 2. Run For Your Life / HELLION 3. Dr. Rock / MICKEY RAT 4. Time Warp / PLAIN JANE 5. Whatever Happened To Fun / CANDY 6. Cold Day In Hell / STEELER 7. It s Not Love / DOKKEN 8. F**k Like A Beast / W.A.S.P. 9. Hold On To 18 / BLACK N BLUE 10. Looks So Good / JONESES 11. Kokomo Joe / ZEROS 12. Let s Get Crazy / QUIET RIOT 13. No Reason To Live / ARMORED SAINT 14. In Your Direction / RATT 15. Be My Slave / BITCH 16. Too Good For Heaven / KERY DOLL 17. Last Action Hero / WARRANT 18. Break Down The Walls ( That Stop The Rock ) / SIN 19. Sleepless Nights / XCITER Disc 2 - Mid-Late 80s ( 1985-1988 ) ▼ Song List 1. Look What The Cat Dragged In / POISON 2. American Metal / LIZZY BORDEN 3. Roll The Dice / L.A.GUNS 4. To Hell With The Devil / STRYPER 5. On Your Knees / GREAT WHITE 6. Bulimia Babe / DEMOLITION GALORE 7. Rock The Box / HARLOW 8. Dr. Monster / SLUT 9. Electric Gypsy / L.A.GUNS 10. Dead End Zone / DECRY 11. Bitch On My Back / NITRO 12. Babylon / FASTER PUSSYCAT 13. Hold On / ROUGH CUTT 14. Sinner Street / TUFF 15. 12 O clock High / ODIN 16. Strong Medication / SALTY DOG 17. Gladiator / SOUND BARRIER 18. Love You To Death / WW Ⅲ 19. Hush Child / ROCK CITY ANGELS 20. Doghouse / SEA HAGS Disc 3 - Late 80s ( 1988-1989 ) ▼ Song List 1.The Right To Rock [ live ] / KEEL 2.The Innocent / JAILHOUSE 3.Rainbow Bar Girls / LONDON 4.Hellraiser / CHERRY ST. 5.Hollywood / JUNKYARD 6.Love In Cold Blood / CHINA 7.Someone Like You / BANG TANGO 8.Fading Away / BLACK CHERRY 9.Mean Street Machine / KING KOBRA 10.Cat s Paw / MOTORCYCLE BOY 11.Rip, Rattle And Roll / TOMMI GUNN 12.We Got Tonight / STARS FROM MARS 13.Her Monkey / CATS IN BOOTS 14.Meteor Boy / LIONS & GHOSTS 15.Give Me A Line / ANGORA 16.I m No Angel / VIRGIN 17.Desperation Town / HANGMEN 18.Inside Out / XYZ 19.Commercial Suicide / KILL FOR THRILLS 20.Action / D MOLLS Disc 4 - Early 90s ( 1990-1992 ) ▼ Song List 1.Def Generation / ELECTRIC ANGELS 2.Planned Disaster / BURNING TREE 3.Feel The Shake / JETBOY 4.8 Arms / BIG BANG BABIES 5.Sexx On The Sun / LYPSWITCH 6.Hollywood Angel / SYANIDE KICK 7.Changed / DARLING CRUEL 8.Days Gone By / SAIGON SALOON 9.Tonight s Your Night To Rock And Roll / REBEL REBEL 10.California Slide / SPIDERS & SNAKES 11.Take Me To The Mountain / HARDLY DANGEROUS 12.I Like My Music Loud / SKULL 13.Cold / YESTERDAY S TEAR 14.Shut Up ! / PRETTY BOY FLOYD 15.Chicago / BLACKBOARD JUNGLE 16.Wish It Was Summer / LOVE/HATE 17.High On A Dream / MONDO CANE 18.Hai Karate / FIZZY BANGERS 19.Take A Bite Outta Me / ALLEYCAT SCRATCH Jazz For Japan ～ 東日本大震災被災者支援CD ～ 2011年6月1日 ( HP ) Disc 1 1. Mayden Voyage ( 処女航海 ) / Steve Gadd (ds), Tom Scott (sax), Billy Childs (p), Nathan East (b), Everette Harp (sax) / 2. Sugar / Everette Harp (sax), Clarence McDonald (p), Leon Ndugu Chancler (ds), David T. Walker (g), Del Atkins (b) / 3. So What / Steve Gadd (ds), Tom Scott (sax), Billy Childs (p), Nathan East (b), Everette Harp (sax) / 4. Sophisticated Lady / Christian McBride (b), Billy Childs (p) / 5. Footprints / Marcus Miller (b), Wayne Lindsey (p), Paul Jackson Jr. (g), Teddy Campbell (ds), David Delhomme (el-p), Kevin Richards (perc), Raymond Monterio (tp), Miguel Gandelman (ts), Garrett Smith (tb), Randy Ellis (as) / 6. Work Song / George Duke (el-p), Steve Gadd (ds), Tom Scott (sax), Billy Childs (p), Nathan East (b) Disc 2 1. What A Wonderful World ( この素晴らしき世界 ) / Clarence McDonald (p), Leon Ndugu Chancler (ds), David T. Walker (g), Marcus Miller (b) / 2. Mr. P.C. / Deron Johnson (p), Larry Goldings (org), Chuck Berghofer (b), Peter Erskine (ds) / 3. Body ＆ Soul ( 身も心も ) / Marcus Miller (b,b-cl), Herman Jackson (p) / 4. Cold Duck Time / Boney James (sax), 松居慶子 (p), Rickey Minor (b), Tom Brechtlein (ds), David Paich (el-p) / 5. Watermelon Man / Clarence McDonald (p), Leon Ndugu Chancler (ds), Lee Ritenour (g), Marcus Miller (b), Kenny G (ss) / 6. Invitation / Peter Erskine (ds), Christian McBride (b), Billy Childs (p) / 7. Cantaloupe Island / Alex Acuna (ds, conga), Alphonso Johnson (b), Herman Jackson (p), Clarence McDonald (el-p) / 8. I m Glad There Is You / Bob James (p) King Of Sunset Strip 2004年 L.A. Blues Authority 1992/5/5 1. Baby Please Don t Go / 2. Same Old Blues / 3. You Don t Love Me / 4. Messin With The Kid / 5. How Blue Can You Get ? / 6. Rollin And Tumblin / 7. Hands On You / 8. Rambling On My Mind / 9. Hunter / 10. You Shook Me Brad Gillis, James Kottak, George Lynch, Billy Sheehan, Paul Gilbert, Stuart Hamm, Richie Kotzen Lippy Lip Bachrach 2007/4/17 1. Trains and Boats and Planes / Astrud Gilberto 2. Donne-Moi Ma Chance / Sophia Loren 3. Questo AMore E Per Sempre / Dalida 4. ( There s ) Always Something There To Remind Me / Lou Christie 5. Mike It Easy On Yourself / Connie Francis 6. Alfie / Jerry Butler 7. This Girl s In Love With You / Marva Whitney 8. Raindrops Keep Falling On My Head ( 雨にぬれても ) / Roy Ayers 9. A Message To Michael / James Brown 10. What The World Needs Now Is Love ( 世界は愛を求めている ) / James Brown 11. This Guy s In Love With You / Willie Bobo 12. Any Day Now / James Brown 13. Don t Make Me Over / Lyn Collins 14. Reach Out For Me / Lyn Collins 15. This Empty Place / the FORTUNES 16. Wives And Lovers / Wes Montginery 17. In The Lnad Of Make Believe / Dusty Springfield 18. ( They Long To Be ) Close To You ( 遙かなる影 ) / Jimmy Smith 19. Keep Me In Mind / Patti Page Metal Mania Stripped 2006年3月25日 Disc 1 ▼ Song List 1. Every Rose Has Its Thorn / POISON 2. Sister Christian / NIGHT RANGER 3. Wind Of Change / SCORPIONS 4. Don t Know What You re Got ( Till It s Gone ) / CINDERELLA 5. Silent Lucidity / QUEENSRYCHE 6. More Than Words / EXTREME 7. I Saw Red / WARRANT 8. The Way It Is / TESLA 9. Miles Away / WINGER 10. Ballad Of Jayne / L.A.GUNS 11. When The Children Cry / WHITE LION 12. When I Look Into Your Eyes / FIREHOUSE 13. Fly To The Angels / SLAUGHTER 14. More Than Words Can Say / ALIAS 15. Save Your Love / GREAT WHITE Disc 2 ▼ Song List { 1. Rock You Like A Hurricane / SCORPIONS / 2. Here I Go Again ( From Starkers In Tokyo ) / WHITESNAKE / 3. Don t Tell Me You Love Me / NIGHT RANGER / 4. Talk Dirty To Me / POISON / 5. Shake Me / CINDERELLA / 6. Cherry Pie / WARRANT / 7. Heaven s Trail ( No Way Out ) / TESLA / 8. Round And Round / RATT / 9. Madelaine / Kip Winger / 10. Into The Fire ( From One Live Night ) / DOKKEN / 11. Smooth Up In Ya / BULLET BOYS / 12. ( Can t Live Without Your ) Love And Affection / NELSON / 13. Sex Action / L.A.GUNS / 14. Don t Treat Me Bad / FIREHOUSE / 15. Once Bitten, Twice Shy / GREAT WHITE The Pink And Black A Goth Glam Collection 1998 Disc 1 ( Black Disc ) 1. Cosmetic Citizen [ stromkern remix ] [ ATTRITION ] / 2. One Winter s Night [ BELLA MORTE ] / 3. Burning Kisses [ BITTER GRACE ] / 4. Thinking [ INDUSTRY ELEVEN ] / 5. Sacred [ remix ] [ SLEEPY HOLLOW ]] / 6. Ramses The Damned [ NEW CREATURES ] / 7. Score [ ALLEGORY ] / 8. Torture Chamber [ MR. SINISTER ] / 9. Victim Of Darkness [ SEASONS OF THE WOLF ] / 10. Razor Dag [ MORPHINE ANGEL ] / 11. Always The Same [ DECADES ] / 12. Resurrection [ anastasia mix ] [ GOSSAMER ] / 13. Eden [ FLOWERS AND MACHINES ] / 14. Temple [ SHADOW DANCE ] / 15. Neon [ SUNSHINE BLIND ] Disc 2 ( Pink Disc ) ▼ Song List { 1. The Kids Are Back / Dee Snider s SMF / 2. Saturday Night / PRETTY BOY FLOYD / 3. Stick To Our Guns / LITTLE REBEL / 4. Cryin / PARADISE ALLEY / 5. Pretty Little Junkie / DETOX DARLINGS / 6. Porno Star / BLACK ROSE GARDEN / 7. Drown / GARLIC / 8. You And I / STARRY EYES / 9. Rule the World / ZEROS / 10. Pillow Trash / KRISSTEEN / 11. Limelight / D MOLLS / 12. Siamese / SPIDERS & SNAKES / 13. Devil Rides A Harley / PSYCHO TRAMPS / 14. Sylvain Sylvain / BEAUTY SCHOOL DROP-OUTS / 15. Carousel / FORBIDDEN PLANET / 16. Step Away / MISTER MANIC / 17. Hangin Out / FOXY ROXX / 18. All Over Now / HOLLYWOOD TEASZE / 19. Sexy Telephone / SMELLY BOGGS / 20. Ballad Of Frankie / DEAD TOYS / 21. So Fukkin Sikk / UNDERCOVER SLUT Rock N Roll Rebels The Sunset Strip volume 1 4/10/2015 [ Eonian Records ] Disc 1 1. Shootin Daggers [ RATTLESNAKE SHAKE ] / 2. Get Around ( Everybody Needs Somebody ) [ RATTLESNAKE SHAKE ] / 3. In the Morning [ ALICE BE TOKELAS ] / 4. This Is Now [ ALICE BE TOKELAS ] / 5. Get Down 2 Night [ the WILD ] / 6. Some Girls [ the WILD ] / 7. Higher [ LONGGONE ] / 8. Sticky Situation [ LONGGONE ] / 9. Fallen Nature [ HANS NAUGHTY ] / 10. Be In You [ HANS NAUGHTY ] / 11. Something I Miss [ IMAGINE WORLD PEACE ] / 12. Sometimes [ IMAGINE WORLD PEACE ] / 13. Slip [ BAD BLOOD ] / 14. Sweet Addiction [ BAD BLOOD ] / 15. City Monsters [ CYCLONE SOUND ] / 16. All Systems [ CYCLONE SOUND ] / 17. Sorry [ HAP HAZZARD ] / 18. Under Fire [ HAP HAZZARD ] Disc 2 1. Little Devils [ CHARLOTTE ] / 2. Krackerman [ CHARLOTTE ] / 3. Sexx On The Sun [ LYPSWITCH ] / 4. She s So Psychedelic [ LYPSWITCH ] / 5. My Love Is For Real [ BAD BONES ] / 6. Give Good Love [ BAD BONES ] / 7. Daddy s Little Girl [ ENTICIER ] / 8. One Way Ticket [ ENTICIER ] / 9. Merry Go Round [ SCRATCH ] / 10. Smack Dab [ SCRATCH ] / 11. Sweeter Than Honey [ HARDLY DANGEROUS ] / 12. Game Of Love [ HARDLY DANGEROUS ] / 13. Feel My Body [ SAM MANN AND THEE APES ] / 14. Nasty Woman [ SAM MANN AND THEE APES ] / 15. Rise [ MAD REIGN ] / 16. The First One s Free [ MAD REIGN ] / 17. Crack Alley [ the MIMES ] / 18. Kick, Kick ( Scratch And Fight ) [ the MIMES ] Disc 3 1. Betty Blue [ SHAKE CITY ] / 2. She s Atomic [ SHAKE CITY ( Hot Wheelz )] / 3. Paint You A Picture [ BLACKBOARD JUNGLE ] / 4. Chicago [ BLACKBOARD JUNGLE ] / 5. Satisfaction Guaranteed [ PARADISE ] / 6. I m In Love With You [ PARADISE ] / 7. Sweet Little Angel [ HOLLYWOOD ROSE ] / 8. Come A Little Closer [ HOLLYWOOD ROSE ] / 9. Day Of The Dog [ TAZ ] / 10. Dogtown [ TAZ ] / 11. Success [ DADDY RAY ] / 12. Nag, Nag, Nag [ DADDY RAY ] / 13. Dance With Me [ CHILDREN ] / 14. Water Into Wine [ CHILDREN ] / 15. Lotta Love [ SHEL SHOC ] / 16. Pull The Trigger [ SHEL SHOC ] / 17. Dirty Money [ DALLAS DOLLZ ] / 18. Doin Time [ DALLAS DOLLZ ] Disc 4 1. Heaven s Trail [ DEAF, DUMB AND BLONDE ] / 2. Down And Dirty [ DEAF, DUMB AND BLONDE ] / 3. Give Me What I Need [ COLD SHOT ] / 4. Little Too Late [ COLD SHOT ] / 5. Back Where You Belong [ NEW IMPROVED GOD ] / 6. Dead Rock Stars [ NEW IMPROVED GOD ] / 7. Shadows [ AGENT ZERO ] / 8. Distant Memories [ AGENT ZERO ] / 9. Read My Lips [ ACES & EIGHTS ] / 10. You Ain t My Religion [ ACES & EIGHTS ] / 11. Cheap Disguise [ ROUGH JUSTICE ] / 12. Good Ole Days [ ROUGH JUSTICE ] / 13. Let Em Down Easy [ BYTE THE BULLET ] / 14. Russian Roulette [ BYTE THE BULLET ] / 15. Dummy Says [ SPYDER BLUE ] / 16. Love, Lies, And Hate [ SPYDER BLUE ] / 17. You re All I Need [ CHARLEMAGNE ] / 18. Who Needs Bad Girls [ CHARLEMAGNE ] Sounds of BLUE GIANT July 1 2015 1. Olive Refractions [ Johnny Griffin ] / 2. I m A Fool to Want You [ Dexter Gordon ] / 3. Moment s Notice [ John Coltrane ] / 4. A Night In Tunisia ( チュニジアの夜 ) [ Sonny Rollins / 5. Moanin [ Art Blakey and The Jazz Messengers ] / 6. Well You Needn t [ Thelonious Monk ] / 7. Cherokee [ Clifford Brown ] / 8. Countdown [ John Coltrane ] / 9. Time Was [ John Coltrane ] / 10. Maiden Voyage ( 処女航海 ) [ Herbie Hancock ] This Is 80 s Hair Metal 2003年 Disc 1 Studio Fuelled ▼ Song List { 1. Cherry Pie / WARRANT / 2. Someone Like You / BANG TANGO / 3. Cum On Feel The Noize / QUIET RIOT / 4. Smooth Up / BULLET BOYS / 5. Pissed / DANGEROUS TOYS / 6. Sex Action / L.A.GUNS / 7. Leather Boyz With Electric Toyz / PRETTY BOY FLOYD / 8. Bathroom Wall / FASTER PUSSYCAT / 9. Little Teaser / JET BOY / 10. Love Removal Machine / GREAT WHITE / 11. Make It Go Away / Michael Monroe / 12. Tooth Nail / LYNCH MOB / 13. Mean Street Machine / KING KOBRA / 14. River Gold / HURRICANE / 15. Black Out / LOVE/HATE Disc 2 Live Dangerous ▼ Song List { 1. Gypsy Road / CINDERELLA / 2. Kiss Me Deadly / Lita Ford / 3. Living Loving Maid ( She s Just A Woman ) / GREAT WHITE / 4. One More Reason / L.A.GUNS / 5. ( You Can Still ) Rock In America / NIGHT RANGER / 6. Hollywood / JUNKYARD / 7. Dressed Up Vamp / BANG TANGO / 8. Around Again / UNION / 9. Teas n, Pleas n / DANGEROUS TOYS / 10. Ain t Talkin Bout Love / L.A.GUNS / 11. Wrathchild / Paul Dianno / 12. Somebody Save Me / CINDERELLA / 13. Ramble On / GREAT WHITE / 14. What You Say / SAIGON KICK Disc 3 Power Ballads ▼ Song List { 1. Every Rose Has Its Thorn / Bret Michaels / 2. When The Children Cry / WHITE LION / 3. Headed For A Heartbreak / Kip Winger / 4. Ballad Of Jayne / L.A.GUNS / 5. House Of Pain / FASTER PUSSYCAT / 6. Ready For Love / GREAT WHITE / 7. Sometimes She Cries / WARRANT / 8. Don t Know What You Got ( Til It s Gone ) / CINDERELLA / 9. Dream On / Ronnie James Dio Yngwie Malmsteen / 10. Sister Christian / NIGHT RANGER / 11. Close My Eyes Forever / Lita Ford / 12. Lights / Stevie Rachelle ( TUFF ) / 13. Still Lovin You / Steve Whiteman George Lynch / 14. Here I Go / Bernie Shaw Bernie Marsden Ukulele Beach 2007年7月11日 1. The Little Mermaid [ パニオロ山内 ] / 2. Margaritaville [ Kerry Marx ] / 3. Mexico [ ウィリー中尾 ] / 4. Better Together [ Kai ] / 5. Hot Fun In The Summertime [ VOODOO SURFERS ] / 6. Vacation [ パニオロ山内 ] / 7. Blue Hawaii [ パニオロ山内 ] / 8. Cruel Summer ( ちぎれたハート ) [ Toshi ] / 9. In The Summertime [ VOODOO SURFERS ] / 10. Surfin USA [ sundowner ] / 11. Desperado ( ならず者 ) [ Kai ] / 12. Ventura Highway [ HOOPERS ] / 13. Schools Out [ Daniel Ho ] / 14. You re Beautiful [ Kai ] / 15. Copa Cabana [ Kerry Marx ] / 16. Mahalo [ Kai ] We Wish You A Hairy Christmas 2003年10月7日 ▼ Song List { 1. Father Christmas / WARRANT|2. Naughty Naughty Xmas / DANGER DANGER|3. Happy Holiday / ENUFF Z NUFF|4. Run Run Rudolph / L.A.GUNS|5. Everyday Should Be Like Christmas / BULLET BOYS|6. Jingle Bell Rock / TUFF|7. Won t Be Home For Xmas / EVERY MOTHER S NIGHTMARE|8. I Saw Mommy Kissing Santa Claus / Gilby Clarke|9. Happy Family / PRETTY BOY FLOYD|10. Santa s Back In Town / ROXX GANG|11. Silent Night / FASTER PUSSYCAT} executive produced by Jonathan Daniels With Brasil 2007年 1. Maracatu Atomico [ Ze Da Guiomar ] / 2. Morto, Vivo [ Bonde Do Tigrao ] / 3. Teto De Vidro [ Pitty ] / 4. Meu Amigo Tom Jobim [ Radames Gnattali ] / 5. Ela E Carioca ～ Paulista [ Sergio Augusto ] / 6. Quase Lenda ( Uma Opereta Tupiniquim ) [ Daniela Procopio ] / 7. Me Deixa Em Paz ( そっとしておいて ) / 8. Eu Vou [ Perlla ] http //www.aspireal.co.jp/ DVD LOUD PARK 14 Day 1 ( WOWOW ) 1. 全開☆ヒーロー [ 仮面女子 ] / 2. Black Ninja [ BATTLE BEAST ] / 3. Hyper Doom / Namida ( Tears ) [ Marty Friedman ] / 4. Forbidden City～Tornado Of Souls [ Marty Friedman ] / 5. Close To You [ VANDENBERG’S MOONKINGS ] / 6. Lust And Lies [ VANDENBERG’S MOONKINGS ] / 7. S.D.I [ LOUDNESS ] / 8. Esper [ LOUDNESS ] / 9. Rise Above The Sentiment [ SOILWORK ] / 10. Stabbing The Drama [ SOILWORK ] / 11. Digital World [ AMARANTHE ] / 12. Invincible [ AMARANTHE ] / 13. Call Out My Name [ AMARANTHE ] / 14. We Knew Him Well [ DOWN ] / 15. Witchtripper [ DOWN ] / 16. Stone The Crow [ DOWN ] / 17. Carved In Stone [ RAGE ] / 18. Down [ RAGE ] / 19. Don t Fear The Winter [ RAGE ] / 20. Soundchaser [ RAGE ] / 21. Black Winter Night [ DRAGONFORCE ] / 22. Symphony Of The Night [ DRAGONFORCE ] / 23. Ring Of Fire [ DRAGONFORCE ] / 24. Enemy Within [ ARCH ENEMY ] / 25. War Eternal [ ARCH ENEMY ] / 26. You Will Know My Name [ ARCH ENEMY ] / 27. As The Pages Burn [ ARCH ENEMY ] / 28. No Gods, No Masters [ ARCH ENEMY ] / 29. Nemesis [ ARCH ENEMY ] 2014年10月18日(土) 埼玉 さいたまスーパーアリーナ http //www.wowow.co.jp/pg_info/detail/106182/index.php#content?target=scene001 m=01 LOUD PARK 14 Day 2 ( WOWOW ) 1. I Am The Storm [ ARION ] / 2. Icarus Lives! [ PERIPHERY ] / 3. Break [ GLAMOUR OF THE KILL ] / 4. Vortex [ the GazettE ] / 5. Headache Man [ the GazettE ] / 6. Gasmask Terror [ BELPHEGOR ] / 7. Conjuring The Dead [ BELPHEGOR ] / 8. Dirty Love [ THUNDER ] / 9. Higher Ground [ THUNDER ] / 10. The Flood [ the HAUNTED ] / 11. All Against All [ the HAUNTED ] / 12. Metal Warrior [ RIOT ] / 13. Land Of The Rising Sun [ RIOT ] / 14. Thundersteel [ RIOT ] / 15. Kojo No Tsuki [ DEATH ANGEL ] / 16. The Ultra-Violence / Thrown To The Wolves [ DEATH ANGEL ] / 17. Paradise ( What About Us? ) [ WITHIN TEMPTATION ] / 18. Stand My Ground [ WITHIN TEMPTATION ] / 19. Ice Queen [ WITHIN TEMPTATION ] / 20. Violent Revolution [ KREATOR ] / 21. Civilization Collapse [ KREATOR ] / 22. Voices Of The Dead [ KREATOR ] / 23. The Enemy Inside [ DREAM THEATER ] / 24. Overture 1928 / Strange Deja Vu [ DREAM THEATER ] / 25. Pull Me Under [ DREAM THEATER ] 2014年10月19日(日) 埼玉 さいたまスーパーアリーナ http //www.wowow.co.jp/pg_info/detail/106182/index.php#content?target=scene002 m=01 Monsters of Rock Cruise 2.25 28.2012 KIX / Eric Martin BAND / KEEL / Rhino Bucket / FIREHOUSE / XYZ / BLACK N BLUE / LYNCH MOB / TESLA / Y&T / UFO / CINDERELLA / NIGHT RANGER Moscow Music Peace Festival [ fN 2102 ] Disc 1 / August 12 1989 [ SKID ROW ] 1. Holidays In The Sun 2. Makin A Mess 3. Piece Of Me 4. Big Guns 5. 18 And Life 6. Youth Gone Wild [ CINDERELLA ] 7. Bad Seamstress Blues 8. Coming Home 9. Nobodys Fool 10. Gypsy Road 11. Shake Me [ BON JOVI ] 12. Lay Your Hands On Me 13. Wild In The Streets 14. Blood On Blood 15. Wanted Dead Or Alive 16. Living On A Prayer [ All Band Jam ] 17. Hound Dog 18. Rock N Roll Jason Bonham on Drums Disc 2 / August 13 1989 [ MOTLEY CRUE ] 1. In The Name Of Rock N Roll 2. Wild Side 3. Girls Girls Girls [ GORKY PARK ] 4. Bang 5. Within Your Eyes 6. Please Try And Find Me 7. My Generation [ Ozzy Osbourne ] 8. I Don t Know 9. Shot In The Dark 10. Suicide Solution 11. Sweet Leaf 12. Paranoid [ SCORPIONS ] 13. Blackout 14. Big City Nights 15. Holiday 16. The Zoo 17. Dynamite 18. Still Loving You [ All Band Jam ] 19. Long Tall Sally 20. Rock N Roll Jason Bonham on Drums SCREAM 12 Video Collection vol.1 1. Glamour Girls / ULTRA POP 2. You Never Make Me Cry / BATTALION 3. Call of The Wild - Flick of The Switch / WICKED KIN 4. Live at The Wisky 88 / CATHOUSE 5. Live at Troubadour 88 / HOT WHEELZ 6. Too Many Girls / CREATURE 7. Video Nasty / GLAMOUR PUMKS 8. Let It Roll / LEGS UP 9. Need A Little Love / PARADISE 10. Crank It Up ( Loud ) / LASH 11. Paradise Lane / NOISE TOYS 12. 7 7 / ROYAL TEAZE VAMPARK FEST Day 2 ( MTV ) VAMPARK FEST Nippon Budokan, Tokyo 2/19/2015 【 tCK 】 Buckcherry / sads / SIXX A.M. / VAMPS http //www.mtvjapan.com/onair/program/5681
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Market Scenario The Blockchain Market Size Of USD CAGR Value includes a global opportunity With analysis and industry forecasts for the period 2023–2032. Blockchain report’s segmentation section focuses on each category while also identifying those with the greatest influence on the Blockchain Market. The framework for finding Key companies and assessing their Geographical Research, product portfolios, and ability for Business growth. In order to forecast the extent of competition, the second one step analyzing the core competencies and market shares of leading companies. Get a Sample PDF File@ https //www.quincemarketinsights.com/request-sample-59119?pu Competitive Analysis In terms of comparative analysis, the global market research report contains information related to the leading market players and their roles played across the global market to win the race against the other market leaders . Global Blockchain Market Segmentation Global Blockchain market is segmented on the basis of Technology type application distribution channel and user and vertical industry by offering in-depth information along with geography. By Providers (Application Providers, Middleware Providers, Infrastructure Providers), By Organization Size (Large Enterprises, Small Medium-sized Enterprises), By Application (Payments, Smart Contracts, Documentation, Digital Identity, Supply Chain Management, Governance, Risk, Compliance Management, Others), By End User (BFSI, Government, Healthcare and Life Sciences, Media and Entertainment, Retail and E-Commerce, Travel and Hospitality, Transportation and Logistics, Real Estate, Energy and Utilities, Others) Geographical Analysis Of Global Blockchain Market Regional analysis is also one of the most important features of the research report of the market. The experts have provided in-depth information related to the geography of the global Blockchain market. The research report provides information related to the sales output of the demand for global Blockchain both at international as well as the national levels various region. Apart from this it also provides a comprehensive as well as accurate geography-wise market analysis of the market volume and the historical data. Geographical landscape that are included in the global Blockchain market research report are Europe, Asia Pacific, North America, Africa, South America, and Middle East Make an Enquiry for purchasing this Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-59119?pu Key Outlook This report will help market leaders / new entrants in this market to get information about the most recent results of their revenue figures for the overall Blockchain Market and segments. This report will help operators understand the competitive landscape and get more information to better manage their business and plan an appropriate marketing strategy. The report also helps stakeholders understand the market landscape and provides them with insights into key market challenges and opportunities. BM, AWS, Microsoft, SAP, Intel, Oracle, Bitfury, Cegeka, Earthport, Guardtime, Digital Asset Holdings, Chain, Huawei, BlockCypher, Symbiont, BigchainDB Details Contained In The Global Blockchain Market Report 2021 Market Overview 1.1 Market Introduction 1.2 Market Analysis By Type 1.2.1 Type 1 1.2.2 Type 2 1.3 Market Analysis By Applications 1.3.1 Application 1 1.3.2 Application 2 1.4 Market Analysis by Regions Key Questions Covered In The Market Research Report What will be the growth rate of the Blockchain market? What are the important factors that drive the market share of the global Blockchain market? What are the key factors dividing the market size of the Global Blockchain market? Who are the top manufacturers in the Blockchain market? What are the major market opportunities, challenges, and threats faced by the Blockchain market? Who are the leading distributors, traders, and dealers of the Blockchain market? What are the sales, price, and revenue analyses of the top manufacturers of the Blockchain market? What is the impact of covid-19 on the Global Blockchain market? How the market has been segmented in this market research report? About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone +1 208 405 2835 Email sales@quincemarketinsights.com Website https //www.quincemarketinsights.com/
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Ruby for Windows Word Processing Calculation on Command Lines Getting Files Make Programming Ruby for Windows Word Processing Calculation on Command Lines pi=$(echo "scale=10; 4*a(1)" | bc -l) シェル変数piに値を入力 echo $pi = 3.1415926532 http //www.linux.or.jp/JM/html/GNU_bc/man1/bc.1.html perl calculator http //www.kenschutte.com/perlcalc/ solve.sh #!/bin/sh bc EOF scale=4 $@ quit EOF sh slove.sh 11/7 = 1.5714 http //www.linuxjournal.com/article/9891 Getting Files wget http //www.geocities.jp/horiuchimasaru/wget.html（リンク切れ） Downloading with Curl or Wget http //linuxspot.org/articles_Downloading+with+Curl+or+Wget+.html Make An Introduction to the UNIX Make Utility http //frank.mtsu.edu/~csdept/FacilitiesAndResources/make.htm#Descriptor A Simple Makefile Tutorial http //www.cs.colby.edu/maxwell/courses/tutorials/maketutor/ Makefiles http //www.cs.umd.edu/class/spring2002/cmsc214/Tutorial/makefile.html Managing Modularity Makefiles and Libraries http //heather.cs.ucdavis.edu/~matloff/UnixAndC/CLanguage/Make.html#tth_sEc1 Managing Projects Using Makefiles http //www.metalshell.com/view/tutorial/120/ Tutorial on writing makefiles http //makepp.sourceforge.net/1.19/makepp_tutorial.html Programming Copyright T.Osawa 2008-
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https://w.atwiki.jp/arma3editor/pages/6.html
Arma 3 Cars Config Guidelines ARMA３における車両作成、改造におけるガイドラインを翻訳しましたので作成等にご利用下さい。 専門用語が有るので、日本語、英語共に不自由な人間が翻訳していると言う事をご理解ください。 文章そのままだと日本語的に理解し辛いので、意訳+注釈です。 ※実際にmoddingした訳ではなく、読んで意訳しただけなので、実際の意味と違う可能性が ありますのでご注意ください。 ワープロモード：参照http //www54.atwiki.jp/arma3editor/pages/4.html Arma 3 Cars Config Guidelines Arma 3 Cars Config Guidelines ARMA3の車両に関するコンフィグガイドライン Contents 内容 1 Intro 最初に 2 Additional functionality compared to A2/OA ARMA2、OAとの違い 3 Model requirements {p3d} p3d形式の"model"の条件 4 Model config changes {model.cfg} model.cfgの変更点 5 New config parameters {config.cpp} config.cppの新しいパラメータ 5.1 Basic parameters 基本パラメータ 5.1.1 Differential parameters パラメーターの違い 5.1.2 Engine parameters エンジン用パラメータ 5.2 Wheel parameters ホイール用パラメータ 5.2.1 General parameters 一般的なパラメータ 5.2.2 Wheel PX parameters ホイールPXパラメータ 5.2.3 Wheel simulation parameters ホイールシュミレーションパラメータ 5.2.4 Suspension parameters サスペンションパラメータ 5.2.5 Tire parameters タイヤパラメータ 5.3 Floating and sinking 浮く、沈む（水の上等） 5.4 PhysX 3 integration PhysX3 統合 5.4.1 Anti-roll bars アンチロールバー 5.4.2 Complex gearbox 複雑なギアボックス 5.4.3 Gearbox parameters ギアボックスパラメータ 5.4.4 Different amount of torque 個別のトルクの量 5.5 IK for hands and legs 乗車時、キャラクタの手足の位置 5.6 Picture in Picture for screens and mirrors スクリーンとミラーにピクチャーインピクチャー（画像の中に別の画像を表示する）する方法 ※要約すると、車両にバックミラーやモニター等に表示させる記述 5.7 Random visual variants ランダムにビジュアルを変化させる ※ハッチバック等、スポーンする度にテクスチャが違うアレ 5.7.1 Random variants script ランダムに表示させる為のスクリプト 5.8 Reflectors, markerlights and beacons 反射板、マーカーライト、ビーコン 5.8.1 Reflectors 反射板 5.8.2 Markerlights マーカーライト 5.8.3 Beacons ビーコン 6 Basic config hints 基本的なコンフィグのヒント 6.1 Diagnostics 診断（作成した車両のテスト） 6.2 Suspension サスペンション 6.3 Gearbox ギアボックス 7 Reference 参照場所 Intro 初めに 101 - How to set up a car for Arma 3 ARMA3用の車の作り方 Please be aware of our Arma 3 modding license http //community.bistudio.com/wiki/Arma_3_Modding_License ARAM3用MOD作成に関するライセンス規定を確認してください。 Additional functionality compared to A2/OA ARAM2、OAとの違い PhysX 3 integration ○PhysX３と統合 IK for hands/legs ○車両乗車時の手足の位置 Picture in Picture - Render to texture ○PiP テクスチャーのレンダー Random visual variants (textures, accessories, doors) ○ランダムでビジュアルの変化 ※テクスチャー、アクセサリー（バリエーション的なもの）、ドアをスポーン時にランダム表示 Floating and sinking ○水上での浮き沈み Reflectors, markerlights and beacons ○反射板、マーカーライト、ビーコン Model requirements {p3d} p3dモデルに関する必須項目 A new PhysX lod ○新しいPhysX LOD There needs to be a lod (4e13) consisting of convex components as simple as possible, some 60 faces shall be sufficient for most cars 作成には単純な構造のものが必要です。ただ、大半は60面程あれば車両を作成するには十分です。 ※私の知識不足で、LOD(4e13)がexで40trillionなのか、それ以外の「何か」なのか良く解りません。 Current public Oxygen version doesn t support showing correct name of this lod and displays only Geometry instead. Don t be afraid of having two geometries, it s going to be fixed with new tools. Oxygen(BIツール名)では、このLODの名前を表示できません。代わりにジオメトリだけを示します。（使用に問題なし）この問題は新しいツールで解消する予定です。 Just the main body of car should be in this lod, wheels are added by engine later 車両の基本部分は、上記のLODで構成される必要があります。 作成する順番はエンジン→ホイールの順に追加していきます。 Memory lod メモリーLOD There should be an axis for each wheel named wheel_X_Y_axis (X is position of wheel from front, Y is 1 for left and 2 for right), the name is defined in selected wheel as center ホイールの軸（中心）をwheel_X_Y_axisという名前で定義される必要があります。それぞれ（X,Y）でホイールの中心位置を定義します。 車両の正面から見た状態でホイールの位置をXの部分に記入します。Yは左右同じです（じゃないと傾くので）。 There should be a point at the edge of each wheel named wheel_X_Y_bound which is used to determine wheel radius (distance from wheel axis is used for this) - there is no other need than placing the point at the edge, even memory points for tracks could be used for this, the name is defined in selected wheel as boundary ホイール（タイヤ含めた）の大きさを測定するのに必要です。何かというと、ホイール外径の一カ所だけ指定すればwheel_X_Y_axisを中心として円を判定してくれます。 wheel_X_Y_boundのX、Yに何処でも良いので、外径部分の座標を指定します。 ※公式の解説画像ではホイールの中心から垂直方向の地面を座標定義してます。 ○注釈 ホイールの中心から外輪の距離を定義。 ・wheel_X_Y_axis ホイールの中心 ・wheel_X_Y_bound ホイールの半径（中心からの距離） ※多分、wheel_X_Y_boundの「X または Y」のどちらかをホイールの半径分入力すれば良いと思います。Yが無難ですが。 physx bound.jpg Mirrors and screens should have their camera position defined in pipX_pos and direction in pipX_dir - parameters pointPosition and pointDirection in class RenderTargets ミラーとスクリーン（車載モニター）はカメラの位置（pipX_pos）と向き（pipX_dir）で定義する必要があります。 ※ミラーは実際に反射しているのではなく、カメラ機能を使って擬似的に「反射してる様に」見えるだけ。なので、「ミラー」を使うと当然、左右反転するようです。 Reflectors should have their position defined in LightCarHeadYXX (Y is a side - R/L, XX is a number) and direction defined in LightCarHeadYXX_end 反射器は LightCarHeadYXXで定義する必要があります。LightCarHeadYXX_end でその方向を定義します。Yは左右それぞれの横軸、XXは定義した番号です。 Mirrors and screens should have RTT texture #(argb,256,512,1)r2t(rendertargetX,1.0) - where X in rendertarget should be a number ミラーとスクリーンはRTTテクスチャを #(argb,256,512,1)r2t(rendertargetX,1.0)で指定します。Xは定義した番号を記入します。 Randomly generated accessories should have their selections independent on all other selections (mainly the main body and all the glass selections), glass as a part of hide-able accessory should be handled as two separate selections ランダムに発生するアクセサリーパーツは全て独立した部品である必要があります。 アクセサリの一部分を隠すように扱うには、２つの部分に分割（離れて）する必要があります。 ※ここ良く解りません。すいません。多分ですが、車両にオブジェクトを貼り付ける場合、車体に埋めると内部から見える場合があるので、 はみ出てた部分を隠したいなら部分を別パーツとして定義する必要があるという意味かと思われます。 Beacons and markerlights should have their material set to emit light ビーコンとマーカーライトは、発光させるために設置しなければなりません。 Spare wheel should have defined selections for it, texture underneath and correct hitpoints like a normal wheel スペアホイール（予備タイヤ）に交換できるようにするには定義する必要があります。予備タイヤの耐久性（壊れやすさ）は標準タイヤと同じ数値です。 ※交換なので、エンジニアの修理とは別です。 Man-held turrets shouldn t be hidden when destroying them without destroying the whole vehicle - IK issues would crash the game ターレット（銃座）の乗員が乗っている状態（と定義して）でターレットを隠すように指定した場合、ゲームがクラッシュします（IK定義の関連） ただし、車両が「完全に破壊（ドカーンって燃えた）」された状態であれば、問題ありません。 ※車両がアライブの状態で「見えないターレット」を定義して使うとクラッシュするという事かと思われます。多分。 Model config changes {model.cfg} model.cfgの変更点 Only the dampers are affected by the changes, best way to set them is to place an axis with the length of moveable part alongside the damper and set offsets to +-0.5 ダンパー（サスペンション）は凹凸路面などの影響を受けて可動します。そのため、定義する際に「ダンパーの中心から±0.5ほどオフセットするといいと思います。 Example {model.cfg} class Wheel_1_1_Damper { type="translation"; source="damper"; selection="wheel_1_1_damper_land"; axis="posun wheel_1_1"; animPeriod = 1; minValue="0"; maxValue="1"; offset0= "0.5"; offset1= "-0.5"; memory=1; }; ●●●●●●●●●●●●訳 28/Oct/2013●●●●●●●●●●●●●●●●●●●● Sections for hiddenSelectios[] should be set in model.cfg hiddenSelectios[]の部分はmodel.cfgで定義する必要があります。 New config parameters {config.cpp} config.cppの新しい追加パラメータについて Basic parameters 基本パラメータ Following parameters are defined in vehicle class. vehicle classという定義内で以下のパラメーターを使います。 ※config.cppの車両に関する定義部分にviecle classという場所があるので、そのクラスを定義する際に使用するという事。 string (required) simulation = "carx"; float 0.0 dampersBumpCoef = 0.3; Differential parameters 他と異なるパラメータ string; accepable values "all_open", "all_limited", "front_open", "front_limited", "rear_open", "rear_limited" "all_limited" differentialType = "all_limited"; float 0.5 frontRearSplit = 0.5 float 1.3 frontBias = 1.3; float 1.3 rearBias = 1.3 float 1.3 centreBias = 1.3 float 10.0 clutchStrength = 10.0; float 0.01 switchTime = 1.01; Engine parameters エンジンパラメータ float (required) enginePower = 600; float 600 which is cca 6000 rounds per minute. maxOmega = 600; float value calculated from enginePower according to http //en.wikipedia.org/wiki/Horsepower#Relationship_with_torque peakTorque = 600; float, float, float 0.08, 2.0, 0.35 dampingRateFullThrottle = 0.08; dampingRateZeroThrottleClutchEngaged = 2.0; dampingRateZeroThrottleClutchDisengaged = 0.35; Array[i][2] where i = number of samples, maximum 8; {{0.0, 0.8}, {0.33, 1.0}, {1.0, 0.8}} torqueCurve[] = {{0.0, 0.8}, {0.33, 1.0}, {1.0, 0.8}}; Wheel parameters ホイールパラメータ This parameters relates to each wheel. In the vehicle class, there has to be subclass called Wheels, which contains subclass for every wheel the vehicle has. These are the parameters that could be defined in that subclasses. このパラメータはそれぞれのホイールに関する項目です。vehicle classはwheelsというサブ（隷下）クラス（viecle classがメインクラス）が必要です。 要は、車両に付いている全てのホイール（タイヤ）をサブクラスという定義でそれぞれ設定できるパラメータです。 General parameters 一般的なパラメータ string "" boneName = "wheel_1_1"; bool (required) steering = true; string "right" side = "left"; Wheel PX parameters ホイールPXパラメータ memory point (required) center = "wheel_1_1_axis"; memory point (required) boundary = "wheel_1_1_bound"; float 0.3*(raidus of the wheel) width = "0.2"; float 10.0 mass = 150; float 0.5 * WheelMass * WheelRadius * WheelRadius MOI = 40; float 0.1 dampingRate = 0.1; float 2500 maxBrakeTorque = 7500; float 2*maxBrakeTorque maxHandBrakeTorque = 0 Wheel simulation parameters ホイールシミュレーションパラメータ Array[3] {0, -1, 0} suspTravelDirection[] = {0, -1, 0}; memory point center suspForceAppPointOffset = "wheel_1_1_axis"; memory point suspForceAppPointOffset tireForceAppPointOffset = "wheel_1_1_axis"; Suspension parameters サスペンションパラメータ float 0.15 maxCompression = 0.15; mMaxDroop = 0.15; float vehicleMass/numberOfWheels sprungMass = 2066; float sprungMass*5,0*5,0 springStrength = 51653; float 0,4*2*sqrt(springStrength*sprungMass) springDamperRate = 8264; Tire parameters タイヤパラメータ float 10000 longitudinalStiffnessPerUnitGravity = 10000; float, float 25, 180 latStiffX = 25; latStiffY = 180; Array[3][2] {{0, 1}, {0.5, 1}, {1,1}} frictionVsSlipGraph[] = {{0, 1}, {0.5, 1}, {1,1}}; Floating and sinking 浮き沈み（水で） WaterLeakiness should be amount of water in liters that goes into selected object per second. This is set to zero by engine for all vehicles with simulation of a ship or having canFloat = 1 (unless they are toppled of destroyed, then config value takes precedence). WaterLeakiness = 10; seems to be a good value to start with for all kinds of vehicles no matter the size (which is a bit spooky, but it works). 浸水具合は指定パーツをℓ/secで定義します。浸水具合によってエンジンが止まります。ただ、船又はcanFloat=1と定義されたものは完全にブッ壊されない限り浮いてます。 最初はWaterLeakiness＝10と定義して、どのぐらい水に浸かったらエンジンがブッ壊れるかテストすると良いでしょう。 PhysX 3 integration PhysX3で統合 WheelMask ホイールマスク thrustDelay is time in second in which thrust goes from 0 to 1 when standing still (doesn t affect driving car during change of gears), 0.2 seems to be a reasonable value. You may want to tweak this to higher values if wheels slide during initial acceleration. キー入力をしてから実際に車輪が動作するまでの遅延をthrustDelayで定義します。スラストが0→1になるまでの数値です。0.2位が妥当と思われます。もし１にしたら一瞬で加速します。 brakeIdleSpeed is speed in m/s under which the brakes are automatically applied to the vehicle. This speed should be reasonably low, higher value would mean strange breaking of slow cars, too low value would cause inability to stop the car. 1秒当たりのブレーキの定義です。 brakeIdleSpeedはm/secで定義します。この数値は低めに設定した方が良いです。高めに設定すると不自然な急ブレーキになります。 逆に異常に低すぎると止まれません。 idleRpm sets the idle RPM of engine. Primary use is for sound engine アイドリング時の回転数をidleRpmで定義します。停車時のエンジン音に関係します。 redRpm sets the maximum for engine RPM, should be according to maxOmega (see later) エンジンの最高回転数（レブリミット）をredRpmで定義します。後記のmaxOmegaに関係しています。 Anti-roll bars アンチロールバー Anti-roll bars is the system in vehicle that should prevent it to do a barrel-roll during sharper turns. Using ARB enables us to make center of mass realistically high and cause cars to roll down the steep slopes if placed sideways to the slope. It works the same way as the real ones - system computes difference of applied weight to wheels in pair and tries to compensate difference by applying opposite forces. アンチロールバーは急激なターンとか無茶な運転等で横転するのを防ぎます。錘みたいな物です。なので、横転しやすい車両も作れます。以下がそのパラメータ。 antiRollbarForceCoef is a coefficient of applied force, could be taken as strength of the system. Setting this value to zero disables ARB (and all next values), which is good for civilian vehicles, higher values reduce not only the risk of rolling, but effects of suspension. この数字を0にすると動かなくなります。逆にantiRollbarForceCoefの数字を高くすると横転しやすいどころか止まれません。 antiRollbarForceLimit is the highest strength of ARB applied to vehicle. We may want to roll the car at certain situations (full van taking sharp hand-brake turn at high speed), tunning without diag mode is almost impossible because we are not able to imagine forces needed (values are rather low, 2 should be high enough for most of vehicles) 高速移動中に急ハンドルで横転させたいとか、そういう時に必要になります。 antiRollbarSpeedMin and antiRollbarSpeedMax are limits of applied force coefficient. Coefficient is 0 at speeds lower than antiRollbarSpeedMin, interpolates to antiRollbarForceCoef at antiRollbarSpeedMax and is set to antiRollbarForceCoef for any higher speeds. This allows cars to drive on steep slopes using their radial speed, falling of the hill once they stop and rolling over at too high speeds (where coefficient doesn t grow and force is limited by the limit). antiRollbarForceCoefの上下限をantiRollbarSpeedMinとantiRollbarSpeedMaxで定義します。 Complex gearbox 複雑なギアボックス All PhysX 3 vehicles use complex gearbox to give some data to PhysX gearbox PhysX3の車両は全部ギアボックスが搭載されてます。 Complex gearbox settings is inside class complexGearbox which is a subclass of vehicle class ギアボックスのセッティングはcomplexGearboxというサブクラスで、viecle classの隷下です。 GearboxRatios[] is an array of gear names and gear ratios starting with reverse gear (with negative ratios), neutral gear (which should have zero ratio) and forward ratio (eg {"R1",-3.231,"N",0,"D1",2.462,"D2",1.870,"D3",1.241,"D4",0.970,"D5",0.711};). Gear names are not used in retail version, they are just for epevehicle diagnostics R1がバックで、Nニュートラル（数字入れたら勝手に前進します）、D1、D2・・・となります。GearboxRatios[]で定義すれば何ギアでも可能ですがギア比が訳解らなくなるので程々に。 TransmissionRatios[] is an array of transmission ratios in the same format as gearboxRatios. Most of cars have only one transmission ratio, some heavy trucks may have two. The final ratio of engine is gearboxRatio * TransmissionRatio, that means transmissionRatios shouldn t be multiplicates of each other and gearbox ratios to prevent the same final ratio for two different gears. 普通は１つ定義すれば良いですが、大型トラックは２つ定義が必要でしょう。 ※良く解らん・・・・ gearBoxMode is set to full-auto by engine gearBoxModeはエンジンによってフルオートでセットされます（・・は？ イミフ） moveOffGear defines what gear an automatic or semi-automatic gearbox will move off from stationary in. 1 by default. この定義（moveOffGear）はオートマもしくはセミオートでギアボックスが静止状態から発車します。（動作にギア操作を入れるかどうか）標準（普段通りの操作）は１です。 driveString, neutralString and reverseString define displayed strings for driving forward, neutral and backward. この３つ（driveString, neutralString, reverseString）は前進、キー無操作、後進を表示させるために定義を紐づけします。 ※これを入れればギアがドライブ（D)、ニュートラル（N)、バック（R)のどの状態かHUDに表示されるようです。 －－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－ {config.cpp} class complexGearbox { GearboxRatios[] = {"R1",-3.231,"N",0,"D1",2.462,"D2",1.870,"D3",1.241,"D4",0.970,"D5",0.711}; TransmissionRatios[] = {"High",4.111}; // Optional defines transmission ratios (for example, High and Low range as commonly found in offroad vehicles) moveOffGear = 1; // defines what gear an automatic or semi-automatic gearbox will move off from stationary in. 1 by default. driveString = "D"; // string to display in the HUD for forward gears. neutralString = "N"; // string to display in the HUD for neutral gear. reverseString = "R"; // string to display in the HUD for reverse gears. }; －－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－ Gearbox parameters ギアボックスパラメータ Some gearbox parameters are defined outside of class complexGearbox, they are mainly to setup automatic gearbox 幾つかのギアボックスパラメータはcomplexGearboxのクラス外で定義します。サブクラスでは有りません。 通常、オートマ用のギアボックスに使用します。 changeGearMinEffectivity[]Value of minimal gear effectivity to hold current gear. If there is better gear and effectivity is below this value then change gear. It is an array of effectivities ordered by gears in complex gearbox. Neutral should have rather low effectivity (0.15 seems to be a good value), drive gears should have rather high value (around 0.95) to prevent switching gears too often switchTimeThe switch time describes how long it takes (in seconds) for a gear change to be completed. RPM interpolate to optimal value for the new gear at current speed during the changing of gears. The time should be rather low, around 0.3 s, to keep the momentum of the car. latencyis the minimum time (in seconds) that must pass between each gear change that is initiated by the autobox. This should be set to value higher than switchTime. Setting this time too low makes some issues with changing gears - the car slows down a lot Different amount of torque coefficients for different speeds of Slow, Forward and Fast are now configurable slowSpeedForwardCoefis set to 0.3 by default normalSpeedForwardCoefis set to 0.85 by default default speed coefficient for fast movement is 1 meaning that full throttle is applied and maximal speed is maxSpeed of the vehicle (it is going to apply less throttle upon reaching the limit) IK for hands and legs It s not Inverse Kinematics in fact, but as close to it as possible. A soldier should have IK defined for hands and legs by default Each vehicle pose using IK should haveleftHandIKCurve[]andrightHandIKCurve[]set to 1 Driver should havedriverLeftHandAnimNameanddriverRightHandAnimNamedefined as drive wheel bone of the vehicle (drivewheelby default) Gunner should havegunnerLeftHandAnimNameandgunnerRightHandAnimNamedefined on handles of the gun, or shaking bone of the weapon shall be sufficient (usually something likeotocHlaven_shake) Double check names of bones if the game crashes upon loading this vehicle and call stack points to IK. Wrong definition causes CTD all the time and removing the bone causes the same (eg. by hiding it). Picture in Picture for screens and mirrors All sources for textures to be rendered on are defined inclass RenderTargetswhich is a subclass of vehicle class Each source is a separate subclass with unique name parameterrenderTargetdefines which texture shall the source be mapped at (only therendertargetXpart is used) class CameraView1is a subclass of this source and contains all the parameters for rendered scene pointPositionandpointDirectionshould be respective memory points in model renderQualityis in range from 0 to 2 and defines quality of rendering for said source renderVisionModedefines the vision mode - 0 = HDR, 1 = NightVision, 2 = ThermalVision, 3 = Color, 4 = Mirror fovdefines field of view of this source {config.cpp} class RenderTargets { class LeftMirror { renderTarget = "rendertarget0"; class CameraView1 { pointPosition = "PIP0_pos"; pointDirection = "PIP0_dir"; renderQuality = 2; renderVisionMode = 0; fov = 0.7; }; }; }; Random visual variants Randomization of variants is done by script ran upon start of mission via init event handler The car should inheritclass EventHandlers EventHandlers {config.cpp} init event handler should be changed to something like this init="(_this select 0) execVM ""\pathToCar\scripts\scriptName.sqf"""; Don t forget to hide all the added accessories upon destruction of vehicle, they are usually in proxies, this is handled by killed event handler {config.cpp} killed = "_this call (uinamespace getvariable BIS_fnc_effectKilled ); _this select 0 animate [""RandomAnimation"",0]; Random variants script All random settings should be done on server side to prevent different car looks for different users {script.sqf} if (isLocal) then {_rnd1 = floor random Y; _this setVariable ["BIS_randomSeed1", _rnd1, TRUE]; _this animate ["RandomAnimation", X];}; Ystands for the number of random variants Even all the animations should be handled server-side to ease clients,RandomAnimationshall be replaced by any animation needed to be randomly chosen,Xstands for animation phase {script.sqf} waitUntil {!(isNil {_this getVariable "BIS_randomSeed1"})}; _randomSeed1 = _this getVariable "BIS_randomSeed1"; Random textures shall be taken with this statement {script.sqf} _this setObjectTexture [0, ["\pathToCar\Data\variant_1_co.paa", ...,"\\pathToCar\Data\variant_Y_co.paa"] select _randomSeed1]; Reflectors, markerlights and beacons Reflectors Reflectors need to be defined inclass Reflectors Default cars should have two reflectors defined as separate subclasses inside class Reflectors. These two classes should differ only inposition,direction,hitpointandselection. Position and direction are self-descriptive, they use memory points in mode, hitpoint is the name of selection in hitpoint lod in model, selection is a visual selection in resolution lods. Most of reflectors should haveuseFlareset to 1, they are bright enough to have a flare. Size of this flare is defined byflareSize, value should be rather low, around 0.1 seems to be good for start. class Attenuationinside each reflector subclass defines behavior of light from distance. Attenuation is combination ofconstant,linearandquadraticcoefficient,startis a distance from position where attenuation starts to work (the light is at it s full strength if distance is lower than start). aggregateReflectors[]outside of Reflectors class is used to ease computing of too many light sources and combines light together. Both reflectors should be aggregated for a default car but feel free to experiment. Just run some FPS test after testing non-standard settings. Markerlights Markerlights are purely model side based on assigned emissive materials Beacons Beacons consist of two parts on model side - emissive one and unlit one. The emissive one is hidden by default by an user controller and periodically hidden by time controller in model.cfg Config contains only user actions to turn beacons off/on by hiding/unhiding them, this is insideclass UserActions UserActions There should be two actions per beacons set - one to turn them off and other to turn them on, each as a subclass of UserActions {config.cpp} class UserActions UserActions { class beacons_start { userActionID = 50; displayName = "Beacons start"; displayNameDefault = ""; position = "mph_axis"; radius = 1.8; animPeriod = 2; onlyForplayer = false; condition = "this animationPhase ""BeaconsStart"" 0.5 AND Alive(this) AND driver this == player"; statement = "this animate [""BeaconsStart"",1];"; }; class beacons_stop beacons_start { userActionID = 51; displayName = "Beacons stop"; condition = "this animationPhase ""BeaconsStart"" 0.5 AND Alive(this) AND driver this == player"; statement = "this animate [""BeaconsStart"",0];"; }; }; Basic config hints Diagnostics Drive around as much as possible, preferably using real islands. Use Stratis airstrip for acceleration, gear change and sinking of vehicle purposes Path from Jay Cowe to Airstation Mike-26 on Stratis is great to test uphill performance of the car and AI driving skills Whole Chernarus is excellent playground to test vehicles Suspension Easier way to set up suspension is to have center of mass centered according to wheels. Non-centered center of mass is more interesting for driving performance, just be sure to make center of mass centered at least in left-to-right axis. Each wheel could have different suspension parameters but try to keep them the same for wheel pairs. You may try to use ARB if the car sways a lot sideways during turns. This causes lesser side sway but doesn t reduce bumping of suspension when accelerating and breaking. Gearbox Real gearbox ratios have extremely good results for higher speeds and are realistic for lower speeds. But it is better to use some lower values for lower gears to improve acceleration Look out for too big steps between gear ratios, this may prove to be problematic with steeptorqueCurve- engine would change gear later than expected and sound would go fubar dampingRateZeroThrottleClutchEngagedanddampingRateZeroThrottleClutchDisengagedcould be the same, this works really well for FWD cars - engine would slow them down way too much and lock the wheels when only directional arrow is pressed Reference This page is discussedon the BI forums 名前 コメント
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ルーマン関連テキスト http //aflicktion.wordpress.com/2008/06/18/niklas-luhmann/ Luhmann Complexity can be Handled only by Complexity Posted on June 18, 2008 by Maureen Flynn-Burhoe A summary by Maureen Flynn-Burhoe of Hornung (1998 ) on Luhmann Complexity non-intervention and observation In Fuchs discussion of the work of Niklas Luhmann, an impassioned theorist. Luhmann argued that the role of sociology was to develop a theory that would provide a better and more complex understanding of the world. This could be done by developing a description and analysis of modern society through observation of society in its minute details. However, in its role as a science, sociology should not try to provide recipes to improve the world. The functional differentiation between sociology and politics should be respected. In this way ethics should not determine sociological theory rather ethics depends on sociological theory. Professor Hornung, the President of the University of Marburg, acknowledged that Luhmann’s restriction to observation and non-intervention may seem to be an unaffordable luxury in crisis-ridden times. Hornung admits that sociologists “are in fact under daily pressure in our jobs to “produce” both scientific results and students to the precise profiles requested by the economy and the “market”. But he cautions against ignoring Luhmann’s lesson that “complexity can be handled only by complexity (Hornung 1998).” Shifting Words, Shifting Worlds In the address written at the time of Niklas Luhmann death in 1998, Dr. Bernd R. Hornung, , described Luhmann as the “most important contemporary intellectual leader and representative of systems science in sociology.” The influence of his new challenges and new perspectives extended far beyond sociology. Empassioned by theory, Luhmann provided new and influential perspectives which challenge the “army of “regular scientists.” Luhmann combined the theory of the organization of the living of Maturana and Varela with his own complex reasoning and “transferred it to sociology, where it became soon a cornerstone of his own monumental construction of theory.” In this theory the observer plays a key role by observing minute differences which impact on shifting terms, words and worlds (Hornung 1998). “A considerable part of his life work consists in applying his abstract, complex frame of theoretical reference to virtually all areas of society, from the internal workings of administration to global ecological problems, from politics and economy to arts, love, and religion. Aiming at a universal theory of society no sector of society was left out in his attempt to apply, test, and further develop his theory.” In order to expand his theory Luhmann entered into a scholarly confrontation with Habermas’ theory (1971). See Hornung (1998). Luhmann, a student of Talcott Parsons at Harvard in 1960-1, is a successor to but not a follower of, Parsons. They both attempted to develop a grand sociological theory that was universal and all encompassing (Hornung 1998). In 1968, as Professor of Sociology at the newly founded Reform University of Bielefeld he devoted his full energy to his theory of modern society. He was inspired somewhat by Husserl’s phenomenology but primarily by systems theory and cybernetics in his own efforts to develop a description of society (Hornung 1998). Luhmann’s Methodology History, Legal Theory not Empirical Measurement Informed by his love for history and using the tools of legal theory which involved library research and case studies Luhmann’s project was to study society as a whole and develop a theory of modern society. His methods were not those of a natural scientist. He did not use an ethnological style of participant observation nor empirical measurement, data collection, and statistical hypothesis testing as a way to construct theory (Hornung 1998).
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CHAPTER XXXIII UP CHAPTER XXXV CHAPTER XXXIV A Queen s Girl 単数形なので、あくまでもアンのこと、ね 第34章 クィーン学院の女子学生（松本訳） The next three weeks were busy ones at Green Gables, for Anne was getting ready to go to Queen s, and there was much sewing to be done, 「much sewing to be done」アンやマリラが縫いものをしたのでしょう and many things to be talked over and arranged. Anne s outfit was ample and pretty, for Matthew saw to that, and Marilla for once made no objections whatever to anything he purchased or suggested. More-- one evening she went up to the east gable with her arms full of a delicate pale green material. 「material」まだ、材料でしかない "Anne, here s something for a nice light dress for you. I don t suppose you really need it; you ve plenty of pretty waists; but I thought maybe you d like something real dressy to wear if you were asked out anywhere of an evening in town, to a party or anything like that. I hear that Jane and Ruby and Josie have got `evening dresses, as they call them, and I don t mean you shall be behind them. 「I don t mean you shall be behind them」マリラは見栄っ張りのところがある。アラン牧師夫妻を迎えた tea のときもそう（「Marilla was determined not to be eclipsed by any of the Avonlea housekeepers.」「"Well, do as you like," said Marilla, who was quite determined not to be surpassed by Mrs. Barry or anybody else.」CHAPTER XXI with impression? A New Departure in Flavorings ）。次の文でアラン夫人が出てくるのは、マリラの見栄っ張りを読者に思い出させるための仕組みかもしれません I got Mrs. Allan to help me pick it in town last week, and we ll get Emily Gillis to make it for you. 「we ll」willとなっているからには、これから頼みに行く。weだからアラン夫人もマリラと一緒に頼みに行くことになっているのでしょう、きっと Emily has got taste, and her fits aren t to be equaled." "Oh, Marilla, it s just lovely," said Anne. "Thank you so much. I don t believe you ought to be so kind to me--it s making it harder every day for me to go away." 「it s making it」はじめの it は、マリラの親切（具体的にどれを差すのかよくわからない）。つぎの it は（いわゆる）仮主語（あ、これは主語じゃないかな） The green dress was made up with as many tucks and frills and shirrings as Emily s taste permitted. Anne put it on one evening for Matthew s and Marilla s benefit, and recited "The Maiden s Vow" for them in the kitchen. 「in the kitchen」Mary, Queen of Scots を納屋で聞かせてくれとマシューに言われて興醒めになったことがありましが（「"Well now, you might recite it for me some of these days, out in the barn," suggested Matthew.」CHAPTER XXIV with impression? Miss Stacy and Her Pupils Get Up a Concert）、今回はキッチンでのリサイタル。もちろんホワイトサンズホテルで演じたもの As Marilla watched the bright, animated face and graceful motions her thoughts went back to the evening Anne had arrived at Green Gables, and memory recalled a vivid picture of the odd, frightened child in her preposterous yellowish-brown wincey dress, the heartbreak looking out of her tearful eyes. Something in the memory brought tears to Marilla s own eyes. "I declare, my recitation has made you cry, Marilla," said Anne gaily stooping over Marilla s chair to drop a butterfly kiss on that lady s cheek. "Now, I call that a positive triumph." "No, I wasn t crying over your piece," said Marilla, who would have scorned to be betrayed into such weakness by any poetry stuff. "I just couldn t help thinking of the little girl you used to be, Anne. And I was wishing you could have stayed a little girl, even with all your queer ways. You ve grown up now and you re going away; and you look so tall and stylish and so--so--different altogether in that dress--as if you didn t belong in Avonlea at all-- and I just got lonesome thinking it all over." ここは、アンがあまりに朗らかなので、マリラの心境を思うと泣けてくるところ "Marilla!" Anne sat down on Marilla s gingham lap, 「on Marilla s gingham lap」重くはないのかっ、アン！いくらスリムでも40kgはあるでしょうに。ということで、どん、と乗っかってしまったのではなく、あくまで自分の足で体重は支えていたと信じたい took Marilla s lined face between her hands, and looked gravely and tenderly into Marilla s eyes. "I m not a bit changed-- not really. 「I m not a bit changed--not really.」と言えるようになったとき、子は親離れできたことになる I m only just pruned down and branched out. 「prune down」枝を払う、「branch out」枝を伸ばす The real ME--back here--is just the same. It won t make a bit of difference where I go or how much I change outwardly; at heart I shall always be your little Anne, who will love you and Matthew and dear Green Gables more and better every day of her life." 「her life」ここでは、Anneを関係代名詞 whoで受けていて、そのwhoの所有格なので、myではなく、herになっている Anne laid her fresh young cheek against Marilla s faded one, and reached out a hand to pat Matthew s shoulder. Marilla would have given much just then to have possessed Anne s power of putting her feelings into words; but nature and habit had willed it otherwise, and she could only put her arms close about her girl and hold her tenderly to her heart, wishing that she need never let her go. マリラがしゃべりすぎないのがいいと思うのは、日本人だから、かしら Matthew, with a suspicious moisture in his eyes, got up and went out-of-doors. Under the stars of the blue summer night he walked agitatedly across the yard to the gate under the poplars. "Well now, I guess she ain t been much spoiled," he muttered, proudly. "I guess my putting in my oar occasional never did much harm after all. 「oar」口を出す、というときには、オールを使う、ようです。have an oar in every man s boat だれのことにも口を出す She s smart and pretty, and loving, too, which is better than all the rest. smart（賢さ）やpretty（外見）よりもloving（感情／心）をマシューはアンの美点と考えている。（たぶん）読者も賛同するところ She s been a blessing to us, and there never was a luckier mistake than what Mrs. Spencer made--if it WAS luck. I don t believe it was any such thing. It was Providence, because the Almighty saw we needed her, I reckon." 運ではなく、神意であり、神様がわたしたちにアンを必要としていたと見ぬいていたのだ。アンがはじめてグリーンゲイブルズに来たとき、マシューはわしらがアンに役立つかもしれない、と思わず言ってしまいました（"We might be some good to her," said Matthew suddenly and unexpectedly. CHAPTER III with impression? Marilla Cuthbert is Surprised）。しかし、結果として、アンがマシューとマリラのふたりに必要な人だった、とコトバで意識を表わす場面に、ここはなっています。なお、Puffin Books版では、WASは小文字で斜字体 The day finally came when Anne must go to town. She and Matthew drove in one fine September morning, after a tearful parting with Diana and an untearful practical one-- on Marilla s side at least--with Marilla. But when Anne had gone Diana dried her tears and went to a beach picnic at White Sands with some of her Carmody cousins, where she contrived to enjoy herself tolerably well; while Marilla plunged fiercely into unnecessary work 「unnecessary work」感情が整理できないときのマリラの癖、ですね。CHAPTER XIV with impression? Anne s Confession でも、Marilla worked fiercely and scrubbed the porch floor and the dairy shelves when she could find nothing else to do. Neither the shelves nor the porch needed it--but Marilla did. ということがありました and kept at it all day long with the bitterest kind of heartache--the ache that burns and gnaws and cannot wash itself away in ready tears. But that night, when Marilla went to bed, acutely and miserably conscious that the little gable room at the end of the hall was untenanted by any vivid young life and unstirred by any soft breathing, she buried her face in her pillow, and wept for her girl in a passion of sobs that appalled her when she grew calm enough to reflect how very wicked it must be to take on so about a sinful fellow creature. 「a sinful fellow creature」文面上はアンが sinful ということになりますが、（たぶん）キリスト教では人間はすべてsinfulであるので、アンを特に非難しているわけではない Anne and the rest of the Avonlea scholars reached town just in time to hurry off to the Academy. 「reached town just in time」何時集合かはわかりませんが、昼からとしても、アヴォンリーをかなり早く出発したはず。CHAPTER XXIX with impression An Epoch in Anne s Life では、As Charlottetown was thirty miles away and Mr. Barry wished to go and return the same day, it was necessary to make a very early start. とあるので That first day passed pleasantly enough in a whirl of excitement, meeting all the new students, learning to know the professors by sight and being assorted and organized into classes. Anne intended taking up the Second Year work being advised to do so by Miss Stacy; 「taking up the Second Year work」直訳すれば、「２年目の勉強も履修する」。なので、後で説明があるように、２年ではなく、１年でFirst Classの教員免許が取得できる。標準では１年履修するとSecond Class Licenceが取得でき、それに加え、さらにwork（標準では２年目に取得する：アンはこれも１年目に履修することにした）の単位を取得するとFirst Class Licenceが取得できる、という仕組みなのがわかる。なお、松本訳では、（たぶん、混乱のないように）アンのような履修をすることを「第一課程に入る」と訳している。これは、「Second Class work」（すこし後ででてくる）を第二課程と訳すこととして、それに対応させるためでしょう Gilbert Blythe elected to do the same. This meant getting a First Class teacher s license in one year instead of two, if they were successful; but it also meant much more and harder work. Jane, Ruby, Josie, Charlie, and Moody Spurgeon, not being troubled with the stirrings of ambition, were content to take up the Second Class work. 「the Second Class work」直訳すれば、「二級免許のための勉強」。the があることから、すでに話題になったこと、または、既知のことであり、それはつまり教員免許のworkのこと Anne was conscious of a pang of loneliness when she found herself in a room with fifty other students, not one of whom she knew, except the tall, brown-haired boy across the room; and knowing him in the fashion she did, did not help her much, 「did not help her much」それは君次第でしょう、アン as she reflected pessimistically. Yet she was undeniably glad that they were in the same class; the old rivalry could still be carried on, and Anne would hardly have known what to do if it had been lacking. "I wouldn t feel comfortable without it," 「wouldn t」仮定法。「without it」ならば、心地よくないだろう。ちょっとひねくれていやしませんか、アン she thought. "Gilbert looks awfully determined. I suppose he s making up his mind, here and now, to win the medal. 「the medal」the と定冠詞ですが、はじめて出てきています。ということは、the medalはクィーン学院の学生には「常識」として知られている、または、カナダのacademy（専門学校？）ではメダルの授与がふつうにあったことを意味する（そう理解させたい）のでしょう。この章でも後でもう少し話明がでてきますが、あまり説明らしい説明ではないので、読者に「既知」なのを前提としているのでしょう What a splendid chin he has! I never noticed it before. I do wish Jane and Ruby had gone in for First Class, too. I suppose I won t feel so much like a cat in a strange garret when I get acquainted, though. I wonder which of the girls here are going to be my friends. It s really an interesting speculation. Of course I promised Diana that no Queen s girl, no matter how much I liked her, should ever be as dear to me as she is; but I ve lots of second-best affections to bestow. I like the look of that girl with the brown eyes and the crimson waist. She looks vivid and red-rosy; 「rosy」有望な、明るい、楽観的な、の意味もある。もちろん、バラのような、の意味がここでは適切ですが、言葉の広がりかたとして there s that pale, fair one gazing out of the window. 「fair」公正な,有望なの意味もある。もちろん、金髪、色白、青い目、の意味がここでは適切ですが、言葉の広がりかたとして She has lovely hair, and looks as if she knew a thing or two about dreams. I d like to know them both--know them well--well enough to walk with my arm about their waists, and call them nicknames. But just now I don t know them and they don t know me, and probably don t want to know me particularly. Oh, it s lonesome!" It was lonesomer still when Anne found herself alone in her hall bedroom that night at twilight. She was not to board with the other girls, who all had relatives in town to take pity on them. Miss Josephine Barry would have liked to board her, but Beechwood was so far from the Academy that it was out of the question; 「Beechwood was so far from the Academy」試験のときは、お昼ご飯を食べに戻っていますが（「At noon we went home for dinner and then back again for history in the afternoon.」CHAPTER XXXII with impression The Pass List Is Out）、馬車で移動したのかしら？？？ so miss Barry hunted up a boarding-house, assuring Matthew and Marilla that it was the very place for Anne. "The lady who keeps it is a reduced gentlewoman," explained Miss Barry. "Her husband was a British officer, and she is very careful what sort of boarders she takes. Anne will not meet with any objectionable persons under her roof. The table is good, and the house is near the Academy, in a quiet neighborhood." All this might be quite true, and indeed, proved to be so, but it did not materially help Anne in the first agony of homesickness that seized upon her. She looked dismally about her narrow little room, with its dull-papered, pictureless walls, its small iron bedstead and empty book- case; 「its dull-papered, pictureless walls, its small iron bedstead and empty book-case」アンの部屋とは違うところを強調。もちろん、淋しいときは、違いだけが気になるものです and a horrible choke came into her throat as she thought of her own white room at Green Gables, where she would have the pleasant consciousness of a great green still outdoors, of sweet peas growing in the garden, and moonlight falling on the orchard, of the brook below the slope and the spruce boughs tossing in the night wind beyond it, of a vast starry sky, and the light from Diana s window shining out through the gap in the trees. やはり自然が気になる、アンでした Here there was nothing of this; Anne knew that outside of her window was a hard street, 「a hard street」舗装した道路。舗装そのものは近代のものではなく、かなり古くからある。してあるかどうかは別 with a network of telephone wires shutting out the sky, 「with a network of telephone wires shutting out the sky」松本訳注第34章(1) p. 527参照 the tramp of alien feet, 「the tramp of alien feet」松本訳注第34章(2) p. 528参照 and a thousand lights gleaming on stranger faces. 「a thousand lights gleaming」松本訳注第34章(3) p. 528参照 このあたり「クイーン学院に入学するときのシャーロットタウンの様子」もどうぞ She knew that she was going to cry, and fought against it. "I WON T cry. あとでジェーンも泣いたと言いますが、毎週帰れるのに（CHAPTER XXXV with impression The Winter at Queen s）、ホームシックになってしまうのは、ひとつは新しい学校の環境（友人、知人が少ない：これはアヴォンリーのように全員のことをよく知っている環境から移った人にはかなり不安がでるはず）。もうひとつは、毎週帰れるとはいえ、電話で話ができるわけでもない状況。淋しさが強くなるのは当然でしょう It s silly--and weak--there s the third tear splashing down by my nose. There are more coming! I must think of something funny to stop them. But there s nothing funny except what is connected with Avonlea, and that only makes things worse--four--five--I m going home next Friday, but that seems a hundred years away. 「a hundred years away」おおげさな！ Oh, Matthew is nearly home by now-- 「Matthew is nearly home by now」「マシューは家に着くころね。」シャーロットタウンからアヴォンリーまでは半日かかる。松本訳では「ああ、今頃、マシューは、そろそろ畑から家に戻る頃ね」（p. 404）としていて普段の生活を思い出していると解釈している。is だからどちらも可でしょう and Marilla is at the gate, looking down the lane for him--six--seven--eight-- oh, there s no use in counting them! They re coming in a flood presently. I can t cheer up--I don t WANT to cheer up. It s nicer to be miserable!" The flood of tears would have come, no doubt, had not Josie Pye appeared at that moment. 「had not Josie Pye appeared」= if Josie Pye had not appeared 仮定法 In the joy of seeing a familiar face Anne forgot that there had never been much love lost between her and Josie. As a part of Avonlea life even a Pye was welcome. "I m so glad you came up," Anne said sincerely. "You ve been crying," remarked Josie, with aggravating pity. "I suppose you re homesick--some people have so little self-control in that respect. I ve no intention of being homesick, I can tell you. Town s too jolly after that poky old Avonlea. I wonder how I ever existed there so long. You shouldn t cry, Anne; it isn t becoming, for your nose and eyes get red, and then you seem ALL red. 「you seem ALL red」鼻と目が赤くなったら、髪が赤いのだから全部赤になる。ここまでいじわるなことどうして考えつくのでしょう？？？ I d a perfectly scrumptious time in the Academy today. Our French professor is simply a duck. 「a duck」かわいい人。鳥のカモ／アヒル。後ろ参照 His moustache would give you kerwollowps of the heart. Have you anything eatable around, Anne? I m literally starving. Ah, I guessed likely Marilla d load you up with cake. That s why I called round. Otherwise I d have gone to the park to hear the band play with Frank Stockley. He boards same place as I do, 「He boards same place as I do」ジョージーは親戚のところに下宿しているはずですが（She was not to board with the other girls, who all had relatives in town to take pity on them. 少し上のほうにあります）、フランク・ストックリーも下宿しているということはジョージーの親戚は下宿屋をやっているんでしょうか and he s a sport. 「a sport」いいやつ。プレイボーイ He noticed you in class today, and asked me who the red-headed girl was. I told him you were an orphan that the Cuthberts had adopted, and nobody knew very much about what you d been before that." 「you were an orphan that the Cuthberts had adopted, and nobody knew very much about what you d been before that」事実ではある。しかし、事実のうち何を相手に伝えるかによって、話し手の心が出る。ジョージーは、まったく…… Anne was wondering if, after all, solitude and tears were not more satisfactory than Josie Pye s companionship when Jane and Ruby appeared, each with an inch of Queen s color ribbon--purple and scarlet--pinned proudly to her coat. As Josie was not "speaking" to Jane just then she had to subside into comparative harmlessness. "Well," said Jane with a sigh, "I feel as if I d lived many moons since the morning. 「moons」monthsではなくmoonsといってるところが、ちょっと気どっているというか、はずかしさを隠しているというか I ought to be home studying my Virgil-- 「Virgil」松本訳注第34章(4) p. 528参照 松本訳の注によると Virgil はラテン語。ジェーンはラテン語が不得意だったはずなのに予習しなくていいの？と突っこみたくなるような話になっている。（Mine is geometry of course, and Jane s is Latin, and Ruby and Charlie s is algebra, and Josie s is arithmetic. CHAPTER XXXI with impression Where the Brook and River Meet） that horrid old professor gave us twenty lines to start in on tomorrow. But I simply couldn t settle down to study tonight. Anne, methinks I see the traces of tears. 「methink」［古］私には思われる。古い言葉を使っているので、この内容では、ジョーシーと違ってジェーンがアンに対してやわらかく気遣いのある言い方をしている。しかも、少しあとに、わたしも泣いてたの、と言っているし If you ve been crying DO own up. It will restore my self-respect, for I was shedding tears freely before Ruby came along. I don t mind being a goose so much if somebody else is goosey, too. 「goose」ばか、弱虫。家禽のガチョウ、野生の鳥のガン。弱虫といった感じの言葉はいくつもあると思われるのに goose を使ったのは、上でジョージーがフランス語の教授を duck と言ったらでしょうね（逆に goose を使ったので上で duck としたのかもしれません） Cake? 「Cake?」おしゃべりをしている間にマリラが持たせてくれたケーキをアンは出してきたようです You ll give me a teeny piece, won t you? 「teeny」［話］ちっちゃい（tiny） Thank you. It has the real Avonlea flavor." Ruby, perceiving the Queen s calendar lying on the table, wanted to know if Anne meant to try for the gold medal. Anne blushed and admitted she was thinking of it. "Oh, that reminds me," said Josie, なんだかんだといってもジョージーも役に立つことを言う "Queen s is to get one of the Avery scholarships after all. The word came today. Frank Stockley told me--his uncle is one of the board of governors, you know. It will be announced in the Academy tomorrow." An Avery scholarship! Anne felt her heart beat more quickly, and the horizons of her ambition shifted and broadened as if by magic. Before Josie had told the news Anne s highest pinnacle of aspiration had been a teacher s provincial license, 「a teacher s provincial license」教員免許は州が出すことがわかる。現在の日本では各都道府県の教育委員会 First Class, at the end of the year, and perhaps the medal! But now in one moment Anne saw herself winning the Avery scholarship, taking an Arts course at Redmond College, 「an Arts course」村岡訳では、「芸術科」と訳していますが、ここは文学のコースと考えるのが適当でしょう。arts の意味は広いので。芸術科なら、fine artsのような感じかしら。松本訳では「文学部」 「Redmond College」松本訳注第34章(5) p. 528参照 and graduating in a gown and mortar board, 「a gown and mortar board」ガウンと角帽。イギリスとその植民地だった国の大学では卒業式はガウンと房のついた角帽（ほかの西洋の国はよくわかりません）。mortar boardはモルタルの練り板、こて板の意味もある。関連性がよくわからない、似ているからとの説明のある辞書もある。コテ板と……似ているかなあ before the echo of Josie s words had died away. For the Avery scholarship was in English, and Anne felt that here her foot was on native heath. 「her foot was on native heath」松本訳注第34章(6) p. 529参照 A wealthy manufacturer of New Brunswick had died and left part of his fortune to endow a large number of scholarships to be distributed among the various high schools and academies of the Maritime Provinces, 「the Maritime Provinces」松本訳注第34章(7) p. 529参照 according to their respective standings. There had been much doubt whether one would be allotted to Queen s, but the matter was settled at last, and at the end of the year the graduate who made the highest mark in English and English Literature would win the scholarship-- two hundred and fifty dollars a year for four years at Redmond College. 「An Avery scholarship」エイヴリー奨学金：この「赤毛のアン」ではレイモンド大学の文学専攻に進学する人に毎年250ドル、４年間与えられることになっています。この奨学金の名前にちなんで、プリンスエドワード島大学（Univerisity of Prince Edward Island）では、英語専攻の学生１人を選び、１年間1,000ドルをエイヴリー奨学金として授与しています プリンスエドワード島大学は、クィーン学院のモデルとなった Prince of Walse College（当時は学士号の授与権はなかった：1960年代になって）と、同じくシャーロットタウンにあったSt. Dunstan’s University（1914年より学位授与できるようになった）が合併したもののようです。いずれにせよアンがクィーン学院に入学したときは、クィーンは「大学」ではなかったので、BAを取るためには進学しなくてはならなかったわけです No wonder that Anne went to bed that night with tingling cheeks! "I ll win that scholarship if hard work can do it," she resolved. "Wouldn t Matthew be proud if I got to be a B.A.? 「B.A.」Bachelor of Arts。無理矢理訳すと文学士。文系の学士号はB.A.（ビーエイ）で、理系の学士号がB.Sc.（ビーエスシー、または、B.S. ビーエス：Bachelor of Science）であって、（ほかにもあるかもしれないけれど）この２種類が広くカバーしているようです。なので、文学士と訳すと狭すぎのきらいがある場合もありますが、ここでは英語学／英文学の専攻なので文学士は適切。なお、現在の日本では学士（○○）と日本語で表記し、かっこの中の○○はバラエティに富んでいます（富みすぎってほどあります） Oh, it s delightful to have ambitions. I m so glad I have such a lot. And there never seems to be any end to them-- that s the best of it. Just as soon as you attain to one ambition you see another one glittering higher up still. It does make life so interesting." CHAPTER XXXIII UP CHAPTER XXXV 29 July 2007 30 July 2007 微修正 今日 - | 昨日 - | Total - since 29 July 2007 last update 2007-07-30 18 00 02 (Mon)
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z オペラ全曲動画のYouTubeプレーヤーを貼ったページを一覧にしています 貼り付けた全曲動画はすべて公式動画です オペ対制作のYouTube動画対訳はこちら A n/a B Bach,Johann Sebastian/Matthäus-Passion/blog Bach,Johann Sebastian/Messe in h-Moll/blog Barber,Samuel/Vanessa Bartók,Béla/Kékszakállú herceg vára/blog Beethoven,Ludwig van/Meeresstille und glückliche Fahrt Beethoven,Ludwig van/Missa Solemnis/blog Bellini,Vincenzo/I Puritani/blog Bellini,Vincenzo/Il pirata/blog Bellini,Vincenzo/La Sonnambula/blog Bellini,Vincenzo/La straniera Bellini,Vincenzo/Norma/blog Berg,Alban/Lulu/blog Berg,Alban/Wozzeck/blog Berlioz,Hector/L enfance du Christ/blog Bernstein,Leonard/Mass Bizet,Georges/Carmen+/blog Bizet,Georges/Carmen/blog Borodin,Alexander/Knjas Igor Braunfels,Walter/Die Vögel Britten,Benjamin/A Midsummer Nights Dream Britten,Benjamin/Peter Grimes/blog Britten,Benjamin/The Turn of the Screw Britten,Benjamin/War Requiem/blog C Cavalli,Francesco/Ercole amante Cavalli,Francesco/La Calisto/blog 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